STUDIO PROCESS
Where it all begins: making the clay
Hashing out the head of "Metempsicosis"
The beginning of "Metempsicosis"
Constructing the dress for "Metempsicosis"
Constructing "Metempsicosis" with stoneware and porcelain
Finished sculpting "Metempsicosis" and waiting to dry
Constructing the long boat, "Varado", with slabs
Working on the head for "Varado"
Sculpting figure for "Varado"
"Varado" in the works
The boat, "Varado", before firing
Unloading the bisque. Gotta transport with the gator!
Glazing "Guerrero Pequeño"
Glazing "Rise"
Loading the glaze firing for the soda kiln
Fu dog awaiting the soda firing
My incredible soda-firing team helping brick up the kiln door. Ryan Labar, Ryan Rebo, Jakob Hasslacher, and Ted Juve.
Unloading the soda kiln
The soda kiln
The beginning of the cherubs for "One Hundred Monkey Thereom, a.k.a. I Love Rock and Roll"
One Hundred Monkey Thereom, a.k.a. I Love Rock and Roll
Building the vines on "One Hundred Monkey Thereom, a.k.a. I Love Rock and Roll"
Applying glaze on "One Hundred Monkey Thereom, a.k.a. I Love Rock and Roll"
Matilda
Building on the wall with supports (anything will do)
Studio at the Archie Bray
Contructing "Confessa"
"Aftermath"
"Aftermath" terra cotta drying
After Velasquez
Wet Clay
The Skull Catrina
Bisqued and wash layer applied before glazing
Putting a wash of copper on before glazing
Bisque firing
Glaze before being fired
